Goatsmell. Nevanji Madanhire. Going Home. A Tree's Story. Blessing Musariri. Goose or Gander. The United Nations Security Council and the Ethic of Double Standards. Constantino Chiwenga. Grace and Other Stories. Bongani Sibanda. Grandfather’s Diary: An Irish-Rhodesian Odyssey. · ISBN Goatsmell is Madanhire's first published novel. The protagonist, Musiiwa, a physically disabled university Student, narrates bis life story from birth to his present wheelchair condition. Asante, Molefi K. Like water running off my back: poems. - Trenton, NJ: Africa World Press, - 50 p. Chingono, Julius. Not another day.
Laing, B(ernard) Kojo Lessing, Doris Likimani, Muthoni Lubega, Bonnie Madanhire, Nevanji Maddy, Yulisa Amadu Magaia, Lina Mahfouz, Naguib Mangua, Charles Marechera, Dambudzo Marshall, Bill Okyere McLoughlin, Timothy O. Mda, Zakes (Zanemvula Kizito Gatyeni) Memmi, Albert Mezu, S(ebastian) Okechukwu Millin, Sarah Gertrude Mnthali, Felix Mofolo. Asante, Molefi K. Like water running off my back: poems. - Trenton, NJ: Africa World Press, - 50 p. Chingono, Julius. Not another day. Further, it is a must-purchase for larger research libraries with any Africanist focus whatsoever. David Chioni Moore Duke University Nevanji Madanhire Goatsmell. Harare: Anvil Press, pp. Z$pap. ISBN Goatsmell is Madanhire's first published novel.
ISBN Goatsmell is Madanhire's first published novel. The protagonist, Musiiwa, a physically disabled university Student, narrates bis life story from birth to his present wheelchair condition. Nevanji Madanhire, born in has lived a varied life reflecting the restlessness of growing up in an amorphous fledgling Zimbabwe. As a teenager, Nevanji saw the political fission resulting from the dying years of the war of liberation when most of his classmates were forced to either join the liberation forces or be conscripted into the Rhodesian army. This is the story of the African's continuing pain over the ages: the dismembering, dispossession and repression of the African people both by the colonialists and later their own governments. Told with pathos and vibrancy, it is still peppered with romance and sprightly humor. It is an optimistic look at the future of Africa and her people.
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